Spies, Drugs and Seriously Disturbed Characters – My Top 20 TV Shows of the Decade

by yemenity2010

The Walking Dead. Mad Men. Not included. So, there. For some reason I’m still stuck somewhere in the third season of TWD and just barely got around to watch a few episodes of MM. Maybe I will do something about that later. Still, there is so much. Too much. To watch. Here’s what stuck with me more than most of all the stuff out there. Some stories are apparently finished while others are still being told. The final verdict on some of these epics might change for the better – or worse. But, for now, this is it. 

1. Breaking Bad (2008-2013, created by Vince Gilligan). It simply shouldn’t have worked as well as it did. Could you even describe the basic premise and the general circumstances without scaring off most potential viewers? Bit by bit, it turned out a lot of us were inexplicably drawn into the tale of a middle-aged, burnt-out and bitter chemistry teacher on his new path as career criminal. The show just got better and better. And finally – the best. 

– So we made the list? Second best? Let’s get the barbecue going, then! Credit: hbonordic.com

2. Game of Thrones (2011-2019, David Benioff, D.B. Weiss). It was the biggest show on earth, like. And still, the final stretch became such a profoundly polarizing experience that different factions of fans seemingly were prepared to go to war with each other. Personally, most of the last season actually worked for me. But it’s obvious that the creators had created an impossible task for themselves. They couldn’t bring the whole world together. On the other hand, who can? All in all, however; the complete story, the visuals, the characters and the world-building was a monumental piece of work to behold, marvel at and sometimes, argue about.

3. The Americans (2013-2018; Joseph Weisberg). Sure. They do spy a lot. Och oh, do they deliver a particular kind of 1980’s nostalgia. But above all, this is the story of family and friendship. How to nurture your most important relationships when circumstances are extreme and you never can be completely honest and truthful. How do you save your soul? And what is the deepest meaning of identity?

Only fourth place? Well, the only way is up, baby! Credit: hbonordic.com

4.  Billions (2016- ; Brian Koppelman, David Levien, Andrew Ross Sorkin). Big money, huge egos, lack of impulse control and lots of vengeance… We might not be exactly like them, but they’re still us. 

5. Penny Dreadful (2014-2016; John Logan). Gothic retro-horror where they by all reasonable standards crammed in too many ingredients and ideas and bloody kitchen sinks… But still, it worked. The show dared to take itself seriously throughout. And they didn’t have a lot of reasons to smile, so they simply didn’t very often. What it was, was a brutally beautiful journey into darkness and back again. For some, at least. 

6. The Knick (2014-2015; Jack Amiel, Michael Begler, Steven Soderbergh). Yes, I know. Most people missed it. And the allure of dangerously pioneering medical science in a New York City circa 1900 might be limited to a small crowd. Still, Clive Owen starred. Steven Soderbergh directed everyone of the 20 episodes produced. The result was something special. 

7. Narcos (2015- ; Carlo Bernard, Chris Brancato). Spectacular scenery and urban melting pots. Profitable business and brutal conflict. A piece of modern history that could have been told in a number of different ways. This has proved to be an almost constantly intriguing one.

8. Black Sails (2014-2017; Robert Levine, Jonathan Steinberg). Spectacular spectacle but what’s the story, really? That seemed to be the initial audience reaction. And the showrunners never seemed visibly concerned about making it too easy and relatable, for which I’m thankful. They went ahead and followed a particular vision all the way, displaying death-defying attitude and creating a bittersweet aftertaste that I wouldn’t have expected when they first set sail.

9. Fargo (2014- ; Noah Hawley). People and places shifted between every season. But the atmosphere and the tone remained intact. Though, it was near impossible improving on the second round and its portrayal of feuding families in the 1970s; the devastating effects of greed on everyone, from hardened criminals to seemingly ordinary folks.

Staring down the opponent. Sometimes it’s a working strategy. Will ”Westworld” wipe out all competition in the coming decade? Credit: hbonordic.com

 10. Westworld (2016- ; Lisa Joy, Jonathan Nolan). Did I properly understand everything so far? Probably not. ”Westworld” is still such a powerful creative cacophony of impressions and ideas that it’s hard to resist and maybe even more difficult to let go of afterwards. 

11. The Bureau – Le Bureau des Légendes (2015- ; Eric Rochant). Oh, the French. They also make spy dramas. At least this one, which is so impressively obsessed with every detail in the spying game, and so anxious to show you the real consequences of it that it quickly becomes addictive, once you’ve figured out that it does actually exist and where to find it.  

12. The Handmaid’s Tale (2017- ; Bruce Miller). First season – devastatingly powerful. Second round – almost as good. Third one – not sure yet. Haven’t seen all the episodes, and maybe they’re starting to get slightly sidetracked. Still… Strong stuff. 

13. Homeland (2011- ; Alex Gansa, Howard Gordon). You can say a lot of things about this show; mixed messages, contrived plotlines, improbabilities and a not always likeable or comprehensible heroine. Well. They do know to tell a story and keep up the pace. And at its very best it is thought-provoking in the best way possible. 

14th place? Well. After all, we’re just leftovers… Credit: hbonordic.com

14. The Leftovers (2014-2017; Damon Lindelof, Tom Perrotta). Heavy going. It is undoubtedly one of the most innovative, original shows this millennium so far. It demands something of you, sometimes you just need to take a break and get back to it later. And once again prepare to be blown away and profoundly disturbed, before the next…break. 

15. Orphan Black (2013-2017; John Fawcett, Graeme Manson). In some ways the most impressive individual performance of an actor these last years. Tatiana Maslany incorporates a number of clones with distinct personalities during five seasons of almost constantly highly entertaining science fiction/relationship drama for our times. 

16. La Casa de Papel – Money Heist (2017- ; Álex Pina). Talking about entertaining. Spanish criminals battling the law in a scheme that might have borrowed some ideas from Spike Lee’s ”Inside Man” to begin with, but moved on to paint a larger canvas and force you to consider your sympathies over and over again. 

17. The Bronze Garden – El Jardín de Bronce (2017- ; Gustavo Malajovich, Marcos Osorio Vidal). Two miniseries so far of this Argentine mystery-thriller-drama beginning with the disappearance of a child and her father’s relentless search for the truth. Atmospheric, haunting and deeply human. 

18. Barry (2018- ; Alec Berg, Bill Hader). Funny guy, that Hader. He basically decided to make his own main character the most serious, least overtly funny guy in the show. Because he doesn’t need to be. He is suffering. So are most other characters in here, but still, together they pack such a mean comedic punch while being dead serious, that the show creates a universe of its own. Still ongoing – where will it end up?

19. Jane the Virgin (2014-2019, Jennie Snyder Urman). ’After all, this is a telenovela…’ Well, sort of. Playing around with genre conventions and basically every storytelling tool ever invented, while portraying some really relatable characters in sickness and health, infatuation and insidious scheming, it was impossible not to like. 

An award to kill for, you said? By the time we’re finished we’ll be number one – trust me. Credit: hbonordic.com

20. Killing Eve (2018- , Phoebe Waller-Bridge). Weird relationships. Indeed. Assassins and law-abiding officers facing off with unpredictable outcomes. Feels like the bigger story is still in its initial phase. What will come out of this in the end?

 

Almost Made It: The Honourable Woman (Hugo Blick), Luther (Neil Cross), Bosch (Michael Connelly, Eric Overmyer), True Detective (Nic Pizzolatto), Taboo (Chips Hardy, Tom Hardy), The Expanse (Mark Fergus, Hawk Ostby),  Mindhunter (Joe Penhall), American Gods (Bryan Fuller, Michael Green), Chernobyl (Craig Mazin), The Good Fight (Robert King, Michelle King, Phil Alden Robinson).  

Honourable Mentions: Bloodline, The Path, Banshee, Berlin Station, Masters of Sex, The Walking Dead, The Newsroom, The Brink, Outlander, Mr. Robot, Hannibal, Club de Cuervos, One Day at a Time, Sherlock, The Night Of, Bodyguard, Ray Donovan, Fortitude, Orange Is the New Black, Boss…