Cast Against Hype

Reflections on film and other forms of storytelling from a Swedish wannabe-storyteller…

Tag: Best of 2010-2019

Spies, Drugs and Seriously Disturbed Characters – My Top 20 TV Shows of the Decade

The Walking Dead. Mad Men. Not included. So, there. For some reason I’m still stuck somewhere in the third season of TWD and just barely got around to watch a few episodes of MM. Maybe I will do something about that later. Still, there is so much. Too much. To watch. Here’s what stuck with me more than most of all the stuff out there. Some stories are apparently finished while others are still being told. The final verdict on some of these epics might change for the better – or worse. But, for now, this is it. 

1. Breaking Bad (2008-2013, created by Vince Gilligan). It simply shouldn’t have worked as well as it did. Could you even describe the basic premise and the general circumstances without scaring off most potential viewers? Bit by bit, it turned out a lot of us were inexplicably drawn into the tale of a middle-aged, burnt-out and bitter chemistry teacher on his new path as career criminal. The show just got better and better. And finally – the best. 

– So we made the list? Second best? Let’s get the barbecue going, then! Credit: hbonordic.com

2. Game of Thrones (2011-2019, David Benioff, D.B. Weiss). It was the biggest show on earth, like. And still, the final stretch became such a profoundly polarizing experience that different factions of fans seemingly were prepared to go to war with each other. Personally, most of the last season actually worked for me. But it’s obvious that the creators had created an impossible task for themselves. They couldn’t bring the whole world together. On the other hand, who can? All in all, however; the complete story, the visuals, the characters and the world-building was a monumental piece of work to behold, marvel at and sometimes, argue about.

3. The Americans (2013-2018; Joseph Weisberg). Sure. They do spy a lot. Och oh, do they deliver a particular kind of 1980’s nostalgia. But above all, this is the story of family and friendship. How to nurture your most important relationships when circumstances are extreme and you never can be completely honest and truthful. How do you save your soul? And what is the deepest meaning of identity?

Only fourth place? Well, the only way is up, baby! Credit: hbonordic.com

4.  Billions (2016- ; Brian Koppelman, David Levien, Andrew Ross Sorkin). Big money, huge egos, lack of impulse control and lots of vengeance… We might not be exactly like them, but they’re still us. 

5. Penny Dreadful (2014-2016; John Logan). Gothic retro-horror where they by all reasonable standards crammed in too many ingredients and ideas and bloody kitchen sinks… But still, it worked. The show dared to take itself seriously throughout. And they didn’t have a lot of reasons to smile, so they simply didn’t very often. What it was, was a brutally beautiful journey into darkness and back again. For some, at least. 

6. The Knick (2014-2015; Jack Amiel, Michael Begler, Steven Soderbergh). Yes, I know. Most people missed it. And the allure of dangerously pioneering medical science in a New York City circa 1900 might be limited to a small crowd. Still, Clive Owen starred. Steven Soderbergh directed everyone of the 20 episodes produced. The result was something special. 

7. Narcos (2015- ; Carlo Bernard, Chris Brancato). Spectacular scenery and urban melting pots. Profitable business and brutal conflict. A piece of modern history that could have been told in a number of different ways. This has proved to be an almost constantly intriguing one.

8. Black Sails (2014-2017; Robert Levine, Jonathan Steinberg). Spectacular spectacle but what’s the story, really? That seemed to be the initial audience reaction. And the showrunners never seemed visibly concerned about making it too easy and relatable, for which I’m thankful. They went ahead and followed a particular vision all the way, displaying death-defying attitude and creating a bittersweet aftertaste that I wouldn’t have expected when they first set sail.

9. Fargo (2014- ; Noah Hawley). People and places shifted between every season. But the atmosphere and the tone remained intact. Though, it was near impossible improving on the second round and its portrayal of feuding families in the 1970s; the devastating effects of greed on everyone, from hardened criminals to seemingly ordinary folks.

Staring down the opponent. Sometimes it’s a working strategy. Will ”Westworld” wipe out all competition in the coming decade? Credit: hbonordic.com

 10. Westworld (2016- ; Lisa Joy, Jonathan Nolan). Did I properly understand everything so far? Probably not. ”Westworld” is still such a powerful creative cacophony of impressions and ideas that it’s hard to resist and maybe even more difficult to let go of afterwards. 

11. The Bureau – Le Bureau des Légendes (2015- ; Eric Rochant). Oh, the French. They also make spy dramas. At least this one, which is so impressively obsessed with every detail in the spying game, and so anxious to show you the real consequences of it that it quickly becomes addictive, once you’ve figured out that it does actually exist and where to find it.  

12. The Handmaid’s Tale (2017- ; Bruce Miller). First season – devastatingly powerful. Second round – almost as good. Third one – not sure yet. Haven’t seen all the episodes, and maybe they’re starting to get slightly sidetracked. Still… Strong stuff. 

13. Homeland (2011- ; Alex Gansa, Howard Gordon). You can say a lot of things about this show; mixed messages, contrived plotlines, improbabilities and a not always likeable or comprehensible heroine. Well. They do know to tell a story and keep up the pace. And at its very best it is thought-provoking in the best way possible. 

14th place? Well. After all, we’re just leftovers… Credit: hbonordic.com

14. The Leftovers (2014-2017; Damon Lindelof, Tom Perrotta). Heavy going. It is undoubtedly one of the most innovative, original shows this millennium so far. It demands something of you, sometimes you just need to take a break and get back to it later. And once again prepare to be blown away and profoundly disturbed, before the next…break. 

15. Orphan Black (2013-2017; John Fawcett, Graeme Manson). In some ways the most impressive individual performance of an actor these last years. Tatiana Maslany incorporates a number of clones with distinct personalities during five seasons of almost constantly highly entertaining science fiction/relationship drama for our times. 

16. La Casa de Papel – Money Heist (2017- ; Álex Pina). Talking about entertaining. Spanish criminals battling the law in a scheme that might have borrowed some ideas from Spike Lee’s ”Inside Man” to begin with, but moved on to paint a larger canvas and force you to consider your sympathies over and over again. 

17. The Bronze Garden – El Jardín de Bronce (2017- ; Gustavo Malajovich, Marcos Osorio Vidal). Two miniseries so far of this Argentine mystery-thriller-drama beginning with the disappearance of a child and her father’s relentless search for the truth. Atmospheric, haunting and deeply human. 

18. Barry (2018- ; Alec Berg, Bill Hader). Funny guy, that Hader. He basically decided to make his own main character the most serious, least overtly funny guy in the show. Because he doesn’t need to be. He is suffering. So are most other characters in here, but still, together they pack such a mean comedic punch while being dead serious, that the show creates a universe of its own. Still ongoing – where will it end up?

19. Jane the Virgin (2014-2019, Jennie Snyder Urman). ’After all, this is a telenovela…’ Well, sort of. Playing around with genre conventions and basically every storytelling tool ever invented, while portraying some really relatable characters in sickness and health, infatuation and insidious scheming, it was impossible not to like. 

An award to kill for, you said? By the time we’re finished we’ll be number one – trust me. Credit: hbonordic.com

20. Killing Eve (2018- , Phoebe Waller-Bridge). Weird relationships. Indeed. Assassins and law-abiding officers facing off with unpredictable outcomes. Feels like the bigger story is still in its initial phase. What will come out of this in the end?

 

Almost Made It: The Honourable Woman (Hugo Blick), Luther (Neil Cross), Bosch (Michael Connelly, Eric Overmyer), True Detective (Nic Pizzolatto), Taboo (Chips Hardy, Tom Hardy), The Expanse (Mark Fergus, Hawk Ostby),  Mindhunter (Joe Penhall), American Gods (Bryan Fuller, Michael Green), Chernobyl (Craig Mazin), The Good Fight (Robert King, Michelle King, Phil Alden Robinson).  

Honourable Mentions: Bloodline, The Path, Banshee, Berlin Station, Masters of Sex, The Walking Dead, The Newsroom, The Brink, Outlander, Mr. Robot, Hannibal, Club de Cuervos, One Day at a Time, Sherlock, The Night Of, Bodyguard, Ray Donovan, Fortitude, Orange Is the New Black, Boss…

No Marvel Included – My 40 Favourite Films of the Decade

Fully aware of everything I haven’t seen, these are what I consider my 40 favourite films (all categories included), released in the decade now coming to an end. An era seemingly defined by the superhero genre, which, I might add, is not represented here. Now you know. It’s not that I can’t enjoy a Marvel or DC adventure now and then, but – how many of them are truly great cinema? SPOILER ALERT 2: a few filmmakers have stood out more than others in these last ten years; Nolan. Villeneuve. Garland. Cuarón. It will show. Also, I will emphasize the difficulty in ranking these films in a particular order. The difference in quality and impact between number one and, say, 20, is not really huge. These are all works of art and storytelling that I deeply appreciate for somewhat varying reasons. 

1. Spotlight (Directed by Thomas McCarthy, 2015). Classic storytelling. Traditional. Methodic. Sounds exciting, doesn’t it? Dealing with a sort of traditional, painstakingly thorough investigative journalism that might fall prey to the great extinction. Hopefully not. And hopefully these kinds of films are not a completely dying breed either. 

2. Inception (Christopher Nolan, 2010). Layers on layers of dreams and adventures in the subconscious. Maybe more than a strictly speaking healthy dose of food for thought. But it does provide lasting impressions of an ambivalent variety that clearly shows a master has been at work, playing with our minds and stirring our senses. 

3. The Favourite (Yorgos Lanthimos, 2018). “Mean Girls”; 18th Century version. Could have been insufferable, but turns out so improbably right in all aspects that it becomes irresistible. 

4. Mad Max: Fury Road (George Miller, 2015). Basically all action and no plot, but what action! And what visual extravaganza! I surrender. 

5. The Handmaiden (Chan-wook Park, 2016). Basically all advanced plotting and no action, at least not action action. But consistently surprising, mesmerizing and maybe the working definition of infernal affairs. 

6. Ex Machina (Alex Garland, 2014). Who is most real? What is conscience? And which is Alicia Vikander’s best role so far? Maybe this one. Maybe. 

7. Arrival (Denis Villeneuve, 2016 ). One of the decade’s most significant auteurs explores humanity confronting the unknown, but probably most of all, the very concept of time. Doesn’t have to be completely comprehensible to be absorbing and more or less unforgettable. 

8. Interstellar (Christopher Nolan, 2014). More on the unknown. More on time and what it really means. Seemingly dystopian vision turns into something mindbendingly magnificent.

9. Under the Shadow (Babak Anvari, 2016). War is coming. So is an evil spirit in the house. Mother and daughter struggle to maintain sanity and a grasp pf reality – whatever that means – in a sensational directorial debut that deserves a bigger audience. 

10. Gravity (Alfonso Cuarón, 2013). Basically just about the urgent struggle for survival, alone in space, for 90 nail-biting minutes. 

11. Wild Tales (Damián Szifrón, 2014). Different tales, yet it seems like one coherent story about, well… people. Our fragile nature and sensitive ego. Entertaining and disturbing in equal measure. 

12. Blade Runner 2049 (Denis Villeneuve, 2017). Taking on a cultural heritage like this and moving forward with it demands a visionary mind equipped with nerves of steel. Like the intrepid monsieur Villeneuve.

13. Never Let Me Go (Mark Romanek, 2010). So sad, so unrelenting, so deeply existential and still beautiful in spite of telling a story about people growing up with no real future, or hope or being valued as individuals. 

14. Mission: Impossible – Fallout (Christopher McQuarrie, 2018). These impossible missions for Tom Cruise et al just keep on getting tougher. And the films are getting better and better. Sometime I guess they will have to pull the brakes and at least put a younger hero in harm’s way, but when? 

15. Coco (Lee Unkrich, Adrian Molina, 2017). Death. More colourful than ever. Still offering more depth and dimensions, not least regarding memory and how we handle the inevitable – like loss. 

16. Sound of Noise (Ola Simonsson, Johannes Stjärne Nilsson, 2010). Films like these aren’t really being made. Especially not in Sweden. Probably it’s an illusion that it actually seems to exist, but I put it on my list anyway. Don’t wake me up and tell me it was just a dream.

17. The Social Network (David Fincher, 2010). So, this is how it all began? And now we’ve all handed our lives over to him? Interesting… 

18. Get Out (Jordan Peele, 2017). Some laughs but mostly horror in a directorial debut you didn’t see coming from one half of comedy act Key & Peele. 

19. Black Swan (Darren Aronofsky, 2010). Perfection until death, as told by a perfectionist who always seems to elicit strong reactions of the more polarized variety. He has to be rewarded here. 

20. Roma (Alfonso Cuarón, 2018). Rich, nuanced drama with an almost unparalleled attention to mundane details and subtle changes in relationship dynamics.

21. Annihilation (Alex Garland, 2018). Another inspiring trend among the most memorable movies of late is the plot doesn’t have to be 100 percent comprehensible to be – yes, memorable. Not as long as it provides food for thought and intriguing impressions. 

22. Spring (Justin Benson, Aaron Moorhead, 2014). Lost American hiding out in the south of Europe meets a woman that is anything but ordinary. Horror-romance story turns unexpectedly inspiring and frankly uplifting in the midst of a macabre premise. 

23. Trance (Danny Boyle, 2013). I am pretty sure Danny Boyle has directed objectively better films than this one, but more outright entertaining? I doubt it.

24. Her (Spike Jonze, 2013). The creative combination of sensible science fiction and sensitive relationship-oriented drama has been one of the most encouraging trends in filmmaking during this decade. And yeah, obviously it says something about us and our time. Something that may or may not be equally encouraging. 

25. The Hunger Games (Gary Ross, 2012). The rest of the quadrilogy didn’t fully deliver the same punch that this first instalment promised. It wasn’t bad, but not as gut-punchingly gorgeous in a weird way that made this first chapter a must-see. 

26. Shutter Island (Martin Scorsese, 2010). Dennis Lehane wrote the story. Scorsese directed. DiCaprio starred. Questions?

27. First Reformed (Paul Schrader, 2017). Priest with environmental angst struggles with just about everything. Films like these hardly ever get made. Let alone made this well. 

28. Vanishing Waves (Kristina Buozyte, 2012). ”The Cell”, the Lithuanian version. Only, I would say, even better. Has to be seen to be believed. 

29. Cloud Atlas (Tom Tykwer, Lana & Lilly Wachowski, 2012). What’s it about? What isn’t it about? An epic, challenging adventure anyway.

30. Melancholia (Lars von Trier, 2011). Uplifting? Not so much. Definitely thought-provoking and in a weird way almost inspiring. Is it about the end of the world or is it a metaphor for something else? You make the call. 

31. Edge of Tomorrow (Doug Liman, 2014). Over and over again, the same groundhoggish day fighting invading aliens. Underrated scifi-action piece, also one of Tom Cruise’s most underrated performances. 

32. The Skin I Live In (Pedro Almodóvar, 2011). For some reason I like his darker side more than the lighter one, and his has to be one of the darkest things he ever did. Antonio Banderas might be doing his best work ever here, incidentally. 

33. Mother! (Darren Aronofsky, 2017). Yeah, you might hate it. Hate it, and I will not hold it against you. Personally I find it a magnicent mess, or rather spectacularly messy but in a magnificent way. 

34. Snowpiercer (Joon-Ho Bong, 2013). Ride this train! Well, if you’re still alive in this post-apocalyptic vision, you don’t have much choice. 

35. What We Do in the Shadows (Jemaine Clement, Taika Waititi, 2014). Vampires! Comedy! Vampires and comedy! Yeah, you’ve seen that combination before. But you didn’t see this combination before. 

36. 12 Years a Slave (Steve McQueen, 2013). Heavy, hard-hitting history that just about everyone ought to watch at least once. If you can stomach it. 

37. Argo (Ben Affleck, 2012). Probably not entirely truthful, but imminently entertaining about unlikely hostage rescue operation in Iran, post-revolution 1979. 

38. These Final Hours (Zak Hilditch, 2013). Heartbreaking rendition of a world about to end – yes, really end – and one man’s final attempt to do something meaningful for someone else before it’s all over. 

39. Calvary (John Michael McDonagh, 2014). Priest in a small town gets a very specific death threat. By whom? And how should he spend what might be his last week alive? 

40. The Headhunters (Morten Tyldum, 2011). Norwegian thriller set in some sort of corporate world, keeps the suspense going with nasty surprises, one after the other, until… You’ll see.

 

Some close competitors and honourable mentions:

Steve Jobs (Danny Boyle), Four Lions (Chris Morris), The Secret in their Eyes (Juan José Campanella), Miss Bala (Gerardo Naranjo), 127 Hours (Danny Boyle), Nightcrawler (Dan Gilroy), Baby Driver (Edgar Wright), Eye in the Sky (Gavin Hood), Snowden (Oliver Stone), Gone Girl (David Fincher), Kill the Messenger (Michael Cuesta), The Killing of a Sacred Deer (Yorgos Lanthimos), Atomic Blonde (David Leitch), The Martian (Ridley Scott), Sorry to Bother You (Boots Riley), Zero Dark Thirty (Kathryn Bigelow), Silence (Martin Scorsese), Prisoners (Denis Villeneuve), Hacksaw Ridge (Mel Gibson), Skyfall (Sam Mendes), Beasts of No Nation (Cary Joji Fukunaga), Contagion (Steven Soderbergh), Sicario (Denis Villeneuve)…

 

Coming soon: My Favourite TV Shows of the Decade. With or without superheroes.

Something to Offer For Your Space

It may not be pretty, but it is something

Be Inspirational

Inspiration and Good Mood

Dirty Sci-Fi Buddha

Musings and books from a grunty overthinker

Suecademia

Lengua y cultura española y latinoamericana - con perspectiva sueca

InstantViral

Free PLR Content

Blookup Blog

Turn and print all your digital contents, blogs and social networks into amazing real paper books on blookup.com

Under 5 minute & Smartphone festival

Festival occurring 6 times a year that showcases the best of short films under 5 minutes from around the world. Films get showcased at the FEEDBACK Film Festival. NEW: Now showcasing Smartphone movies!

Documentary Short Film Festival

Submit your short DOC and get it showcased at the FEEDBACK Film Festival

Progressive Music Planet

Dedicated to progressive rock, progressive metal and great music!

Camera Q

Stefan Quinth's blogg

Allysha Webber

Multidisciplinary Storytelling

Anthony Vicino

Anthony Vicino Hangs Around These Parts

Storiform.com

“Everyone who is seriously involved in the pursuit of science becomes convinced that some spirit is manifest in the laws of the universe, one that is vastly superior to that of man.” - Albert Einstein

The Nerd Nebula

The Nucleus of the Universe for all Nerd Hacks!

Familjen Hermansson

i Sverige & Ecuador för Equmeniakyrkan och Iglesia del Pacto Evangelico del Ecuador

Executive Training Dubai

Training Courses in Dubai

Rcooley123's Blog

Rick Cooley's Blog

SOUNDSHINE

- spreading GOOD vibes!

Don Charisma

because anything is possible with Charisma

%d bloggers like this: