Who will win? Why? Will anyone care and will there actually be a show at all? Questions abound this year, possibly more so than ever. Judging from a number of pundits, and in my case listening to a more than a few film-related podcasts lately, there are reasons to worry. There might not even be a traditional host, for various reasons. No one to lead the masses through the raging Red Carpet and beyond like a Modern-day Moses… And you’re supposed to be good at this! You, Americans. Usually, you do know how to put on a good show. Ever watched the Swedish equivalent of the Oscars ceremony? Don’t expect to be blown away.
Anyway, there’s not a lack of worthy award recipients. This time I’ve seen the majority of the films nominated for a Best Picture award ahead of the show, which doesn’t happen every year. Six out of eight so far. Of these, my personal favourite is, well, ”The Favourite”. Though I wouldn’t weep if ”Roma” was rewarded either. Many people have commented on the fact that there are several blockbusters, hugely commercially successful movies in the competition here, such as ”Bohemian Rhapsody”, ”Black Panther” and ”A Star Is Born”. Critics are deeply divided over the merits of ”Rhapsody”, with a director seemingly fallen from grace and basically ignored in this context. Did I enjoy that film? Yes, I did. Was I among the many Queen fans over her back in the day. You could say that. I’m sure it’s flawed in many ways, but it does keep your attention. However, it will probably not win. ”A Star Is Born” generally seems to have lost its momentum and might go home emptyhanded. At least in the biggest and most talked-about categories. ”Green Book” and ”BlacKkKlansman” (both unseen by me so far) boasts True Story-based concepts that (at least in the the case of the former) have been called into question. Well, all things considered, I’ll go with ”Roma”, even if the Netflix distribution in most parts of the world (such as here in Sweden) might turn some voters off.
As I mentioned, many take issue with ”Bohemian Rhapsody”, not least regarding what’s in it and what’s left out, but there seems to be a consensus, not 100 percent but maybe 87,5, that Rami Malek does a pretty great job in the leading role. I take the easy way out and predict he wins this category. Though Christian Bale’s transformation into former vice president Dick Cheney might actually be an even better performance. Possibly Bradley Cooper still has a shot, but… Probably not. For the female equivalent I’d love to see newcomer Yalitza Aparicio honoured for ”Roma”, but hey, Olivia Colman is nothing short of masterful as the miserable Queen Anne in ”The Favourite”. I’ll take a chance on Colman. Maybe because I haven’t seen ”The Wife”, for which Glenn Close has already received some love from certain other institutions. Also, she was directed by a Swede so what could possibly go wrong? Lady Gaga? Well, she doesn’t seem as widely appreciated anymore, even if she did a really good job as Coopers protegée in that remake of a remake of a classic that once inspired the 80’s synth-pop sensation ”Don’t You Want Me” by Human League. But I digress. Did I say I’ll go Colman here? Right or wrong, we’ll know tomorrow. Yes, from a European perspective the results will be in tomorrow.
Male supporting actor? I’ll pass. Haven’t seen Adam Driver, Richard E. Grant or Mahershala Ali do their thing, respectively. Yet. Supporting Actress does have some juicy parts, and I guess I place my bets on Emma Stone, competing with Rachel Weisz from the same film (”The Favourite”) and Amy Adams (convincingly MacBethian in ”Vice”) and Marina de Tavira as the grieving, ambivalent housewife in ”Roma”. Regina King seems to have a shot, but you guessed it, I have yet to watch ”If Beale Street Could Talk”.
Directing: Yes, Alfonso Cuarón already got one of these at home, but ”Roma” is such an prime example of visible direction and vision and all that. How could he lose? Caveat: How good is ”Cold War”?
Original screenplay… ”First Reformed” has been less than amiably treated in this context. Maybe, maybe writer-director Paul Schrader gets some recognition here, but I doubt it. He will be mostly ignored and the writers of ”The Favourite” rewarded. That wouldn’t be unfair either. I repeat, it’s a great satire/costume dramedy with a brilliant dialogue as the foundation for everything else. Adapted screenplay? I’ll better shut up there. Would have had to see three more nominated films first.
Cinematography: Sorry. ”Roma” again. It is getting ridiculous, but among so many other things, it’s exceedingly, breathtakingly gorgeous to behold. Production design, Costume and Original Score is where I guess ”Black Panther” will get its recognition tonight. While writing this, I’m actually listening to the Panther soundtrack by Mr Ludwig Göransson (Swedish, just a reminder) and as it happens I should have seen the other four nominees in this category before boldly predicting anything, but you’ve got to live on the edge sometimes, right?
Will I watch the whole thing? I wish. Over here, you need a special subscription to the internet-based TV channel provided by one of our biggest and most profitable newspapers to have access to the Oscars show nowadays. Could be worth it, but I also have a civilian job. So I suspect there will be recaps on YouTube and podcast postmortems for me instead. Perhaps it’s the safer choice. If all the train-wreck predictions and dire prophecies turn out to be accurate…