Cast Against Hype

Reflections on film and other forms of storytelling from a Swedish wannabe-storyteller…

Tag: comedy

Remember This? A Movie Trailer Like No Other…

Times are tough. We need stuff like this, right? Like the movie trailer to end all movie trailers, presented some years ago as… yes, a spoof. But it does have everything you could possibly want from a trailer. Will it ever turn into a proper… movie? Probably not. Since it is also Holy Week, I’ll try to get back to you soon with a few suggestions for Easter-themed films to seek out this weekend. Until then… Have a little fun with this. You know you need it.

Better Late Than Never – My Favourite Films of 2019

It’s late, I know. As an excuse I spent three weeks around Christmas and New Year in Mexico with my wife and her family and didn’t get around to do a whole lot of writing and compiling in general. Still catching up. Anyway, the decade is already wrapped up and you can find my favourite films and TV shows, respectively from the decade we just left behind here. But 2019 was quite a decent year for movies, actually one that I still find difficult to sum up, knowing that I haven’t – that word again – caught up with everything that could have ended up on my Top Ten. And  as you might be aware of, The Oscars are just a few hours away. So, finally, here we go…

…and oh, just to be clear; these are films that opened in Sweden in 2019. Some of them might seem that they belong on last year’s rankings but they simply hadn’t arrived here then. 

1. The Favourite (directed by Yorgos Lanthimos)

Three women in a British 18th century court, fighting it out in different ways over who holds the real power. So smart, so entertaining. So…My Favourite last year.

2. Knives Out (Rian Johnson)

Good old-fashioned whodunnit turns out to be a little more than that. New franchise for Daniel Craig?

3. Us (Jordan Peele)

They’ve been waiting. Now it’s time. Our world is about to be turned on its head for ever. But who exactly are the good and bad guys here? Jordan Peele proves ”Get Out” wasn’t just luck. 

4. Once Upon a Time… in Hollywood (Quentin Tarantino)

I have come to admire his work more and more over the years. I was a bit slow in recognizing his genius, I admit. This is both beautiful and disturbing, thought-provoking in a way I do appreciate, especially when you rewind the finale in your mind to figure out what it really means. If there is one and only one possible interpretation. 

5. Rocketman (Dexter Fletcher)

Elton John. No easy childhood. or young adulthood. And success didn’t result in happiness right away. Colourful, entertaining modern musical-fantasy. 

6. Instant Family (Sean Anders)

Charming little gem, starring a relatively young couple getting involved in foster-parenting and finding out what it takes to make a family. 

7. Long Shot (Jonathan Levine)

Charlize Theron, never funnier. Unexpected chemistry with Seth Rogen. Will they be First Couple or not?

 

8. Deadwood – The Movie (Daniel Minahan)

Closure at last. More than a decade after one of the best TV shows ever ended somewhat abruptly, we revisit the small frontier town to find out what became of those struggling citizens and their arch-nemesis named Hearst. Worth waiting for.

9. Vice (Adam McKay)

The story of Dick Cheney and his rise to power, told as a darkened sort of satire-comedy and a great Christian Bale in the lead. 

10. Pain and Glory (Pedro Almodóvar)

Aging Spanish film director examines the life of an aging Spanish film director in an understated, slow-burn drama that never really raises its voice, but maintains attention throughout. 

 

Honourable Mentions:

Ready or Not

The Irishman

El Camino – A Breaking Bad Movie

Films I feel bad about not having seen yet: 

Parasite

High Life

Joker

The Man Who Killed Don Quixote

… and a few others.  

And which film will win Best Picture tonight? As I said, still catching  up, but it seems like that ”1917” would have a shot, right? Probably a great achievement. I should go see it. Although, why do I feel like heroic war movies are not exactly what the world needs most right now? I know, I know. It’s probably more nuanced than that.

Blades, Blondes, Beasts and Driving Babies – My Favourite Films of 2017

 

Once more again, into the breach… As usual, at bit late. And also as usual, I haven’t seen enough. Nevertheless, here they are, my favourite films of 2017 AD. Or to be specific, films that opened in my Scandinavian home country during this illustrious and turbulent year we just left behind. Be it in the cinemas, BluRay, Netflix, airplanes (in some cases, yes) or other venues – these films caught my attention more than others.

1. Under the Shadow (directed by Babak Anvari)

Could have been labeled ”Under the Radar”. Films like these have a tendency to just disappear in the onslaught of moving images constantly coming our way. That is a shame. This combination of modern history (the 1980’s Iran-Iraq war is used as a backdrop to great effect), understated absurdities and observations about women’s life in that time and place, and on top of it all a harrowing ghost story is irresistibly frightening. Thought-provoking. And frighteningly irresistible.

2. Blade Runner 2049 (Denis Villeneuve)

Back to the future. Again. One of the darker and least attractive visions of said future, even considering the competition (considering the official library of film dystopia already available) did result in one of the year’s most attractive films. Villeneuve might not have created one the most immediately commercially successful films of 2017, but maintains his standing as one of the truly visionary, exciting and genuinely interesting directors working today.

3. Baby Driver (Edgar Wright)

Mr Provocateur Bill Maher delivered an entertaining, harshly critical review of this film, and basically the whole ’drive really fast to get away from the cops’-genre on his show. Though personally I enjoyed this one far more than car-chase movies in general. The carefully selected soundtrack alone made it worthwhile. And the driving was… Special.

4. Get Out (Jordan Peele)

It’s tempting to recommend it with the caveat ’the less you know about the plot beforehand, the better’. Even the trailers seem to give away far too much information. Anyway, it’s about prejudices. And the misguided notion you might not have any. Delivered in a laughter-turns-to-screaming scenario that seriously will mess with your head in a number of ways.

5. Silence (Martin Scorsese)

Honestly, an ordeal you might not want to go through more than once. But at least do it once. It’s like the Scorsesian antithesis to the unbridled hedonism he wallowed in for three hours in ”The Wolf of Wall Street” (which I also might recommend for different reasons, but still don’t entirely adore from start to finish). If this is penitence, it would be comparable to Robert De Niro carrying his discarded mercenary armour uphill and downhill and uphill again for days, in ”The Mission”. Enjoy!

6. Okja (Joon-ho Bong)

Colourful action-satire-adventure flick dealing with genetic engineering, corporate politics, public relations in a postmodern era and the unbreakable friendship between a young girl and a giant pig. You don’t see something like this every day. From the guy who brought you the relentlessly cheerful train ride known as ”Snowpiercer”. This is, in comparison, slightly more optimistic.

7. Hidden Figures (Theodore Melfi)

Feel-good modern history, telling the story of some unsung heroes in the American space program. Quite simply an uplifting story that never crosses the line into awkward sentimentality and exaggerated audience manipulation. It works, dammit!

8. Beauty and the Beast (Bill Condon)

This also works well, in the fantasy-for-all-ages genre. We know the story. They added something to it, not sure exactly what. But as I said, it…works fine.

9. Atomic Blonde (David Leitch)

Could be that it is just a little cold and distanced, eh? But is it exciting, entertaining, full of great 80’s pop songs and a anchored by a similarly great Charlize Theron as an enigmatic and emphatically independent spy in late Cold War Berlin? Yes, yes, yes and Oh yeah.

10. Colossal (Nacho Vigalondo)

Maybe another case of ’the less I tell you…’. Somehow a young, slightly lost woman (Anne Hathaway) moving back to her small, mostly downright boring hometown after a break-up registers a personal connection to a giant monster showing up in South Korea, wreaking havoc while the world watches. What’s it all about, really? Is there a deeper, existential meaning, another hidden layer to be found? Your guess is as good as mine. But it did keep my attention throughout until the spectacular finale.

 

HONOURABLE MENTIONS:

 

The Lost City of Z (James Gray). Mysterious, a little too introvert and with some stretches but something you don’t see every day. An exploration worth taking part in.

Tour de Pharmacy (Jake Szymanski). Perhaps not strictly speaking a feature film. This HBO 40-minute satire on the wonderful world of bicycle is too outrageous to be ignored. From the folks who kindly brought you ”7 Days in Hell”, FYI.

Loving (Jeff Nichols). Extremely well acted and worthwhile subject matter. Could have used a little more temper and forward motion.

A Cure for Wellness (Gore Verbinski). Weird indeed. And difficult to forget entirely.

The Beguiled (Sofia Coppola). It looks great. The acting is quite distinguished. Somehow it didn’t keep me completely enthralled all the way, but deserves to be seen at least once.

Star Wars: Episode VIII – The Last Jedi (Rian Johnson). This particular franchise never had any real life-transforming impact on me. I tend to find most of the installments entertaining and… that’s that, basically. That said, this one impressed me more than I had expected going in. Especially the final 45 minutes or so, including the denouement, packed a punch I gotta give it credit for.

 

Oh, last year’s ranking is available here.

Intrepid Investigators, Intelligent Innovators and Insightful Invasions – My Favourite Films of 2016

So, these are the best ones. I think. From what I’ve seen in 2016. Also, bear in mind, these are films that opened in Sweden some time during the course of this past tumultuous year. In some cases, their world premieres took place in 2015. Just to clarify. And of course, I haven’t seen everything I should have. So, there you go. And here they are, my personal favourites: 

1. Spotlight (directed by Tom McCarthy)

A real old-fashioned drama about Old Media when it’s working they way it should. The truth just has to emerge, one way or the other. Behind one of the year’s least extravagant and eye-catching titles you will find of the most extraordinary and eye-opening pieces of storytelling. Comparable with ”All the President’s Men”, ”The Insider” and ”State of Play”. Actually superior to those distinguished works in some aspects. A true ensemble effort where the director seems to make himself invisible in order to emphasize everyone else – and the story.

2. Steve Jobs (Danny Boyle)

Not to be confused with a documented, definitve true story of the legendary innovator. But screenwriter Aaron Sorkin has done what he tends to do best: deliver almost annoyingly clever and multi-layered dialogue for intelligent but sometimes emotionally disabled characters, stuck within confined spaces.

3. Room (Lenny Abrahamson)

Claustrohopia, guilt, existential issues. What’s not to enjoy? And talking about confined spaces… A large portion of this film really does take place in one room. Is it above all a celebration of the power of imagination and creating your own world in order to endure extreme situations and prolonged suffering? Whatever it is, it works.

4. Where to Invade Next (Michael Moore)

Maybe not a straight documentary, devoted to presenting both sides of a story. Michael Moore – yeah, he’s back – is not even trying to do that. Who knew? But he cheerfully picks his favourite features from (mostly) European nations’ selections of benefits, and then proceeds to market those ideas to his own homeland. A kind of mischievous moviemaking that feels particularly welcome a year like the year that was.

5. The Revenant (Alejando González Iñárritu)

They really laboured in every possible way to make this film, and it shows, for better or worse. But the final result cannot be called anything else than a feat, an impressive ground-breaking work that needs to be rewarded. Like finally handing that Oscar to Leo. And putting it on this list.

6. Bridget Jones’s Baby (Sharon Maguire)

Not to be confused with ”Rosemary’s Baby”. Bridget is back! And we missed her, didn’t we?

7. The Big Short (Adam McKay)

OK, I still don’t get it, completely. How the world of finance works and what exactly went wrong with everything a few years ago. But they sure do try to educate us here. And entertain. Groovy.

8. Snowden (Oliver Stone)

Not as explosive as he used to be. More subtle. Still, Stone makes this highly relevant recent-history retelling pretty powerful. Once again, it’s not easy to figure out exactly how all of this works, in this case surveillance, but after this film you at least get the feeling it’s worth reflecting on.

9. Eye in the Sky (Gavin Hood)

A decision has to be made. Sooner rather than later. Literally, it has to do with life and death. But who exactly will have to decide? Again, surveillance is in focus, and specifically drones. ”Good Kill” raised the same issues recently, but here it’s even more intense and morally ambiguous.

10. The Nice Guys (Shane Black)

Back to the 70’s. And worn out private eyes trying to make a living. This is not the most pretentious production of 2016, but we need some of this stuff too sometimes, right?

 

Honourable Mentions:

Jason Bourne (Paul Greengrass), Hail, Caesar (Joel & Ethan Coen)

Disappointments:

Independence Day: Resurgence (Roland Emmerich)

You would think that 20 years of figuring out an idea for a sequel to one of the most financially successful cinematic projects ever, would result in something slightly more inspired than this. It didn’t.

Ben-Hur (Timur Bekmambetov)

I respect what they’re trying to achieve. It does have some good stuff in it, but as a whole it just never convinces me this remake was necessary.

The worst: The Do-Over (Steven Brill)

Dear Mr Sandler: You need therapy. Or a baby-sitter. Or both.

 

Films I wish I had seen already – but hopefully will sooner rather than later:

Arrival, Hacksaw Ridge, Son of Saul, A Bigger Splash, Deadpool, Doctor Strange, Nocturnal Animals…

Films  from 2015 I regretted not having seen before this time last year, but had the opportunity to see later on and turned out to be more or less as good as I hoped: Sicario, Rosewater and Wild Tales.

 

By the way, here’s my ’Best of’-list from last year. Just because.

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