Once more again, into the breach… As usual, at bit late. And also as usual, I haven’t seen enough. Nevertheless, here they are, my favourite films of 2017 AD. Or to be specific, films that opened in my Scandinavian home country during this illustrious and turbulent year we just left behind. Be it in the cinemas, BluRay, Netflix, airplanes (in some cases, yes) or other venues – these films caught my attention more than others.
1. Under the Shadow (directed by Babak Anvari)
Could have been labeled ”Under the Radar”. Films like these have a tendency to just disappear in the onslaught of moving images constantly coming our way. That is a shame. This combination of modern history (the 1980’s Iran-Iraq war is used as a backdrop to great effect), understated absurdities and observations about women’s life in that time and place, and on top of it all a harrowing ghost story is irresistibly frightening. Thought-provoking. And frighteningly irresistible.
2. Blade Runner 2049 (Denis Villeneuve)
Back to the future. Again. One of the darker and least attractive visions of said future, even considering the competition (considering the official library of film dystopia already available) did result in one of the year’s most attractive films. Villeneuve might not have created one the most immediately commercially successful films of 2017, but maintains his standing as one of the truly visionary, exciting and genuinely interesting directors working today.
3. Baby Driver (Edgar Wright)
Mr Provocateur Bill Maher delivered an entertaining, harshly critical review of this film, and basically the whole ’drive really fast to get away from the cops’-genre on his show. Though personally I enjoyed this one far more than car-chase movies in general. The carefully selected soundtrack alone made it worthwhile. And the driving was… Special.
4. Get Out (Jordan Peele)
It’s tempting to recommend it with the caveat ’the less you know about the plot beforehand, the better’. Even the trailers seem to give away far too much information. Anyway, it’s about prejudices. And the misguided notion you might not have any. Delivered in a laughter-turns-to-screaming scenario that seriously will mess with your head in a number of ways.
5. Silence (Martin Scorsese)
Honestly, an ordeal you might not want to go through more than once. But at least do it once. It’s like the Scorsesian antithesis to the unbridled hedonism he wallowed in for three hours in ”The Wolf of Wall Street” (which I also might recommend for different reasons, but still don’t entirely adore from start to finish). If this is penitence, it would be comparable to Robert De Niro carrying his discarded mercenary armour uphill and downhill and uphill again for days, in ”The Mission”. Enjoy!
6. Okja (Joon-ho Bong)
Colourful action-satire-adventure flick dealing with genetic engineering, corporate politics, public relations in a postmodern era and the unbreakable friendship between a young girl and a giant pig. You don’t see something like this every day. From the guy who brought you the relentlessly cheerful train ride known as ”Snowpiercer”. This is, in comparison, slightly more optimistic.
7. Hidden Figures (Theodore Melfi)
Feel-good modern history, telling the story of some unsung heroes in the American space program. Quite simply an uplifting story that never crosses the line into awkward sentimentality and exaggerated audience manipulation. It works, dammit!
8. Beauty and the Beast (Bill Condon)
This also works well, in the fantasy-for-all-ages genre. We know the story. They added something to it, not sure exactly what. But as I said, it…works fine.
9. Atomic Blonde (David Leitch)
Could be that it is just a little cold and distanced, eh? But is it exciting, entertaining, full of great 80’s pop songs and a anchored by a similarly great Charlize Theron as an enigmatic and emphatically independent spy in late Cold War Berlin? Yes, yes, yes and Oh yeah.
10. Colossal (Nacho Vigalondo)
Maybe another case of ’the less I tell you…’. Somehow a young, slightly lost woman (Anne Hathaway) moving back to her small, mostly downright boring hometown after a break-up registers a personal connection to a giant monster showing up in South Korea, wreaking havoc while the world watches. What’s it all about, really? Is there a deeper, existential meaning, another hidden layer to be found? Your guess is as good as mine. But it did keep my attention throughout until the spectacular finale.
The Lost City of Z (James Gray). Mysterious, a little too introvert and with some stretches but something you don’t see every day. An exploration worth taking part in.
Tour de Pharmacy (Jake Szymanski). Perhaps not strictly speaking a feature film. This HBO 40-minute satire on the wonderful world of bicycle is too outrageous to be ignored. From the folks who kindly brought you ”7 Days in Hell”, FYI.
Loving (Jeff Nichols). Extremely well acted and worthwhile subject matter. Could have used a little more temper and forward motion.
A Cure for Wellness (Gore Verbinski). Weird indeed. And difficult to forget entirely.
The Beguiled (Sofia Coppola). It looks great. The acting is quite distinguished. Somehow it didn’t keep me completely enthralled all the way, but deserves to be seen at least once.
Star Wars: Episode VIII – The Last Jedi (Rian Johnson). This particular franchise never had any real life-transforming impact on me. I tend to find most of the installments entertaining and… that’s that, basically. That said, this one impressed me more than I had expected going in. Especially the final 45 minutes or so, including the denouement, packed a punch I gotta give it credit for.
Oh, last year’s ranking is available here.