Cast Against Hype

Reflections on film and other forms of storytelling from a Swedish wannabe-storyteller…

Tag: Oliver Stone

Intrepid Investigators, Intelligent Innovators and Insightful Invasions – My Favourite Films of 2016

So, these are the best ones. I think. From what I’ve seen in 2016. Also, bear in mind, these are films that opened in Sweden some time during the course of this past tumultuous year. In some cases, their world premieres took place in 2015. Just to clarify. And of course, I haven’t seen everything I should have. So, there you go. And here they are, my personal favourites: 

1. Spotlight (directed by Tom McCarthy)

A real old-fashioned drama about Old Media when it’s working they way it should. The truth just has to emerge, one way or the other. Behind one of the year’s least extravagant and eye-catching titles you will find of the most extraordinary and eye-opening pieces of storytelling. Comparable with ”All the President’s Men”, ”The Insider” and ”State of Play”. Actually superior to those distinguished works in some aspects. A true ensemble effort where the director seems to make himself invisible in order to emphasize everyone else – and the story.

2. Steve Jobs (Danny Boyle)

Not to be confused with a documented, definitve true story of the legendary innovator. But screenwriter Aaron Sorkin has done what he tends to do best: deliver almost annoyingly clever and multi-layered dialogue for intelligent but sometimes emotionally disabled characters, stuck within confined spaces.

3. Room (Lenny Abrahamson)

Claustrohopia, guilt, existential issues. What’s not to enjoy? And talking about confined spaces… A large portion of this film really does take place in one room. Is it above all a celebration of the power of imagination and creating your own world in order to endure extreme situations and prolonged suffering? Whatever it is, it works.

4. Where to Invade Next (Michael Moore)

Maybe not a straight documentary, devoted to presenting both sides of a story. Michael Moore – yeah, he’s back – is not even trying to do that. Who knew? But he cheerfully picks his favourite features from (mostly) European nations’ selections of benefits, and then proceeds to market those ideas to his own homeland. A kind of mischievous moviemaking that feels particularly welcome a year like the year that was.

5. The Revenant (Alejando González Iñárritu)

They really laboured in every possible way to make this film, and it shows, for better or worse. But the final result cannot be called anything else than a feat, an impressive ground-breaking work that needs to be rewarded. Like finally handing that Oscar to Leo. And putting it on this list.

6. Bridget Jones’s Baby (Sharon Maguire)

Not to be confused with ”Rosemary’s Baby”. Bridget is back! And we missed her, didn’t we?

7. The Big Short (Adam McKay)

OK, I still don’t get it, completely. How the world of finance works and what exactly went wrong with everything a few years ago. But they sure do try to educate us here. And entertain. Groovy.

8. Snowden (Oliver Stone)

Not as explosive as he used to be. More subtle. Still, Stone makes this highly relevant recent-history retelling pretty powerful. Once again, it’s not easy to figure out exactly how all of this works, in this case surveillance, but after this film you at least get the feeling it’s worth reflecting on.

9. Eye in the Sky (Gavin Hood)

A decision has to be made. Sooner rather than later. Literally, it has to do with life and death. But who exactly will have to decide? Again, surveillance is in focus, and specifically drones. ”Good Kill” raised the same issues recently, but here it’s even more intense and morally ambiguous.

10. The Nice Guys (Shane Black)

Back to the 70’s. And worn out private eyes trying to make a living. This is not the most pretentious production of 2016, but we need some of this stuff too sometimes, right?

 

Honourable Mentions:

Jason Bourne (Paul Greengrass), Hail, Caesar (Joel & Ethan Coen)

Disappointments:

Independence Day: Resurgence (Roland Emmerich)

You would think that 20 years of figuring out an idea for a sequel to one of the most financially successful cinematic projects ever, would result in something slightly more inspired than this. It didn’t.

Ben-Hur (Timur Bekmambetov)

I respect what they’re trying to achieve. It does have some good stuff in it, but as a whole it just never convinces me this remake was necessary.

The worst: The Do-Over (Steven Brill)

Dear Mr Sandler: You need therapy. Or a baby-sitter. Or both.

 

Films I wish I had seen already – but hopefully will sooner rather than later:

Arrival, Hacksaw Ridge, Son of Saul, A Bigger Splash, Deadpool, Doctor Strange, Nocturnal Animals…

Films  from 2015 I regretted not having seen before this time last year, but had the opportunity to see later on and turned out to be more or less as good as I hoped: Sicario, Rosewater and Wild Tales.

 

By the way, here’s my ’Best of’-list from last year. Just because.

Memorable Music Videos 2016: ”The Veil” – Peter Gabriel

The man is not as prolific as he used to be. Still, the former Genesis frontman can boast a legacy superior to most other musicians this past half-century. And when he does record something new, you better pay attention. ”The Veil” is included in ”Snowden”, the Oliver Stone biopic released earlier this fall. And yes, it deals explicitly with that film’s protagonist, Edward Snowden. The song itself is decidedly not instantaneously ’catchy’, it doesn’t have a distinct ’hook’ and neither is it conceived as a hit in the traditional sense. Gabriel is not even trying to do that. And he’s never been traditional. Instead it sneaks up on you. Experimental? Yes, you might say that. Atmospheric? Check. A bit ambiguous and mysterious, the way many of his other great songs come across. The visuals, containing clips from the movie, reflect a world that we (especially a year like this) might have come to know as conflictive and confusing but also shows signs of hope and courage under fire in the midst of it all. Take a look and have a listen.

Also, you might check out this compilation of songs, considered by a Guardian journalist to be ten of the best Peter Gabriel’s ever recorded. Not necessarily the ones I would have picked in all cases, but hey, we’re talking a mind-blowing amount of clever compositions to choose from…

 

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