Simply put: Here are my personal favourites from last year’s vast supply of TV shows. Fiction category, to be precise. You might find a few that strictly speaking were released late 2015, but which I might have started watching in 2016, or whose presence here are justified for other reasons. All in all, so many shows with comparable qualities were available that I included twelve entries, followed by a couple of honourable mentions and such. Oh, I also mention the channels where I had the opportunity to watch these series here in Sweden. And at least one of the creators/showrunners.
1. ”The Americans” (Joseph Weisberg / Netflix). Four seasons have been broadcast in the US, right? Here in Sweden we are a bit behind… But the third season was the best so far. Who are we supposed to sympathize with, which side should we choose? All of them! No one! Just make sure the most important characters stay alive for a few more years. We need them.
2. ”Fargo” (Noah Hawley / HBO Nordic). I was kind of late discovering the first season, which I started watching sometime last winter, after which I went on to the next one. You know, where it’s all taking place during the late 1970’s. If the first round was really well made, the second one seemed more or less sensational to me. If only I could explain exactly why…
3. ”Penny Dreadful” (John Logan / HBO Nordic). Spectacular – and somewhat unexpected, since it wasn’t properly announced as such – finale concluded this gothic style ’let’s throw every conceivable horror character into the same bowl and do something much better with it than anyone has the right to expect’- show. A bombastic and bittersweet end to a creation which will be missed.
4. ”Game of Thrones” (David Benioff, D. B. Weiss / HBO Nordic). The latest two seasons haven’t been the definitive high points in the story arc so far, but even a slightly-below-maximum-round of this, TV drama’s biggest spectacle right now will still qualify as one of the best things to watch. And of course, the themes involved, concerning power struggles and what it takes to reach the top (or merely survive), will never grow old.
5. ”The Knick” (Jack Amiel, Michael Begler / HBO Nordic). Well, the second season was released late 2015 and finished late december then. Not sure if it was available here exactly at that time. Anyway, this Steven Soderbergh-directed hospital epic is sort of a unique little piece, that deserves repeated reminders of its existence. Brief, as it may have been. I am not certain anyone knows if there will be any more episodes. And maybe there doesn’t have to be. Clive Owen contributed a virtually magnetic presence during this whole purgatorial pilgrimage through trial and error in the world of medicine.
6. ”The Night Of” (Richard Price, Steven Zaillian / HBO Nordic). Innocent or not? And what happens in the process with a person who is believed to have committed a heinous crime and is being processed through the judicial system? And what about everyone else around? John Turturro was particularly memorable here, as a somewhat underrated and disrespected lawyer with a variety of personal problems to deal with.
7. ”Narcos” (Chris Brancato, Carlo Bernard, Doug Miro / Netflix). The hunt for the notorious drug runner Pablo Escobar continued, leading to a climactic denoument in this reality-inspired show, taking place in Colombia mostly in the early 1990’s. The question is how to go on after this, but apparently they have a plan. Other comparable cartels obviously existed – and exist.
8. ”Westworld” (Jonathan Nolan, Lisa Joy / HBO Nordic). Complicated and multi-layered storytelling that didn’t live up to everyone’s expectations. Mine were mostly met, even though they too were a bit unrealistic. Who am I? Who are you? What’s being human all about, really? Genuinely hoping for an even more elaborate and profound continuation eventually. Until then, some acting nominations for Thandie Newton and Jeffrey Wright would be in order. And that overall visual design has to be rewarded one way or another.
9. ”Billions” (Brian Koppelman, David Levien, Andrew Ross Sorkin / HBO Nordic). How to get rich and letting others die in the process, sometimes literally. Damian Lewis versus Paul Giamatti as a successful but ruthless and sometimes reckless Wall Street investor and a stubborn State prosecutor, respectively, was an entertaining battle that we hopefully haven’t seen the last – or best – of, yet.
10. ”Black Sails” (Robert Levine, Jonathan E. Steinberg / HBO Nordic). They keep on sailing. Without apparently changing anything of vital importance in the concept that could make it more easily accessible and a smoother ride. Respectable, potent and powerful epic, starring some more or less mythological pirates in the Caribbean a couple of centuries ago.
11. ”Bloodline” (Glenn Kessler, Todd A. Kessler, Daniel Zelman / Netflix). The second season was perhaps generally regarded as less convincing and engaging in its plotline than the first, but seriously; what compelling characters, what a dense atmosphere, what captivating overviews of the Floridian landscape, what a Shakespearean family tragedy…
12. ”The Path” (Jessica Goldberg / HBO Nordic). A fictional cult. Internal intrigue. Nothing is completely self-evident. What exactly is their worldview and is it something society at large should fear or not? Constantly ambiguous and unpredictable interactions between the principal actors Aaron Paul, Michelle Monaghan and Hugh Dancy.
Honourable mentions: ”Orphan Black” (Netflix) might have been at its best in its very first season, but maintains a level of mischief and excitement that keeps it from losing its appeal for me. And Tatiana Maslany’s versatility has to be praised as well. Scifi show ”The Expanse” (Netflix) is somewhat difficult to grasp and accurate describe, but it does have its own voice and other attractive elements. Criminal drama ”Quarry” (HBO Nordic) seemed really promising at the beginning and I cannot quite explain why I haven’t finished the whole first season yet. But I will. ”Mr. Robot” (SVT – the Swedish non-commercial television broadcaster) might have made things more messy than they needed to be, but remains intriguing and compulsive nevertheless. ”Banshee” (HBO Nordic) has been a guilty pleasure for me a couple of years and managed to go out with a… Not sure if it’s a bang. But somehow true to itself. ”Midnattssol” (translates as ”Midnight Sun”, on SVT), a Swedish-French thriller set in the far north of Scandinavia was definitely uneven, but managed to capitalize on the magnificent natural surroundings of Kiruna, taking advantage of its exotic qualities and tell a story of broken people trying to solve what looks like a string of connected homicides with decidedly unpleasant methods involved.
Also available in Swedish at Fair Slave Trade, another blog forum of mine.